Dr Wood in the National Portrait gallery
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WOOD, Thomas
MA, DMus (Oxon); Hon. RAM; Hon. ARCM
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Born: 28 Nov. 1892; o c of Thomas Wood, RNR,
Master Mariner, and Hannah Lee;
Married:
1924, St Osyth Mahala Eustace Smith, OBE, o c of Thomas Eustace Smith,
JP, CC, and Katherine St Osyth Howard; died 19 Nov. 1950
Composer: Hon.
Fellow of Exeter College, Oxford; Member Executive Committee and Chairman
Music Panel, Arts Council of Great Britain, since 1949
Education:
The Grammar School, Barrow-in-Furness; Exeter College, Oxford; Royal College
of Music Career
Volunteered: for active service, Aug. 1914;
was rejected (poor eyesight)and served in Admiralty;
Director of Music, Tonbridge School, 1919-24;
Lecturer and Precentor, Exeter College, Oxford, 1924-29; and quondam Examiner
for Degrees in Music, Oxford;
Travelled: extensively in Australasia, Ceylon,
and the East, 1930-32, and in Canada, including the NWT, 1937; OC Bures
Home Guard, 1940; principal war work in England, 1939-44, broadcasting;
went again to Australia by invitation of HM Govt to tell of Gt Britain
in wartime, and visited the fronts in New Guinea and Burma, 1944-45.
Member since 1921 (Chm. 1946-48) Royal Philharmonic Soc.; member of BBC
Central Music Advisory Cttee, 1947-50; liveryman Worshipful Company of
Musicians, 1947; FRGS
Publications:
Music: Men's Voices and Brass Band: The Rainbow, 1951 (commissioned for
Festival of Britain); Chorus and Soloists (unaccompanied), Chanticleer,
1947; Over the Hills and Far Away, 1949; Dogwatch, 1950; Chorus and Orchestra:
Forty Singing Seamen, 1925; Master Mariners, 1927; The Ballad of Hampstead
Heath, 1927; Merchantmen (words and music), 1934; Daniel and the Lions,
1938; Norwich Fair, 1951 (commissioned for Norwich Triennial Festival);
Orchestra: St George's Day, 1949. Theatre: Incidental music to Clemence
Dane's Will Shakespeare, 1921; over sixty smaller works for voices, piano,
organ, military band, brass band.
Books: Music
and Boyhood, 1925;
The Oxford Song Book, Vol. II, 1928;
The Tonbridge School Song Book, 1928;
Cobbers, 1934;
True Thomas, 1936;
Cobbers Campaigning (all proceeds being given to Australian Red Cross),
1940
Recreations:
Travel, photography, ships, books, growing trees; making and keeping friends
Clubs:
Athenæum, Savile, Chelsea Arts (hon.)
Address:
Parsonage Hall, Bures, Suffolk
http://www.ukwhoswho.com/view/article/oupww/whowaswho/U233692/WOOD_Thomas?index=5&results=QuicksearchResults&query=0
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The Oxford Companion
to Australian Literature
Oxford Dictionary
of National Biography
Who Was Who
Wood, Thomas (1892-1950), the English composer, visited Australia 1930-32
and published a delightful record of his travels, Cobbers (1934), in which
he printed the words and music of 'Waltzing Matilda' without realising
copyright might be involved but percipiently praised it as being 'Good
enough to be the unofficial National Anthem of Australia'. Further impressions
of Australia are recorded in his autobiography, True Thomas (1936). Cobbers,
which owes a great deal to Wood's gregarious qualities, includes graphic
descriptions of Australian landscapes and ways of life and work, both
urban and rural. Enlivened by his personal, easy style, it includes numerous
original comments on the national character, language and humour and distinctive
summations of regional differences. Victoria is described as having sobered
down 'after a riotous youth
It creases its trousers and goes to
Church'; Hobart 'has the air of an English country town which has shed
its old houses and wandered down to the sea for a rest'; Sydney is 'an
exotic: a lovely and petulant spend-thrift, going its own wilful head-strong
vivid way; self-centred, yet open-hearted; absurdly vain, yet very likeable'.
Wood's later book, Cobbers Campaigning (1940), is a tribute to Australia's
part in the First World War.
Ref:: http://www.oxfordreference.com/pages/Subjects_and_titles__t182
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